One has to admit that, whether it's this time period in 2014 or the long future ahead, all sorts of messy things always exist in academia.
Where there are people, there is Jianghu. Not to mention that there are quite a few people in academia, a place that can bring huge fame and fortune. There will always be people with bad intentions who do bad things.
Taiwan Novel Network → 🅣 🅦 🅚 🅐 🅝 . 🅒 🅞 🅜
After uploading the paper to arxiv and seeing that the post is currently in the pending review state, Shimizu closed the website and opened his email.
Old Meng sent the email.
After unzipping the compressed package, there are a total of three folders.
The first is the Mo Sect's Non-Aggression Swordsmanship, the second is the complete version of the Mo Sect Divine Mechanism, and the third is the follow-up content of the Mo Family's Qi Refining Technique.
Each folder also contains supporting research papers and related operation videos, all written and filmed according to strict academic standards.
Shimizu's current swordsmanship level is very high. He roughly glanced over the power and subtlety of the Non-Aggression Swordsmanship and understood it.
There are two sets of Non-Aggression Swordsmanship. The first set is still called Non-Aggression, with a total of seven moves, and the second set is called Punishment, with a total of nine moves. They are interconnected, and each move and each style can be transformed at any time.
Mozi believed that "attack" and "punishment" are different. Conquering the innocent is an attack, and conquering the guilty is punishment. The former is unjust, so it is non-aggression. A just attack is not an attack, but "punishing the wicked" and "benefiting others".
The Seven Swords of Non-Aggression are based on defense. The moves are not complicated, and they are neutral and peaceful. Even people with mediocre swordsmanship talent can achieve something with diligent study and hard practice. Even when facing someone stronger than themselves, they can be like a tortoise shell, responding to every move and defending steadily.
The most important thing is that none of the Seven Swords of Non-Aggression are killer moves. All attack moves only injure people, but are not fatal.
The Nine Swords of Punishment are a variant of the Non-Aggression Swordsmanship. They combine offense and defense, defend first and then attack, turn defense into offense, can injure or kill, and change freely, swiftly and fiercely.
The two sets of swordsmanship are not superior or inferior, but have different focuses. In the hands of masters, the Seven Swords of Non-Aggression may not be inferior to the Nine Swords of Punishment, and even the Seven Swords of Non-Aggression faintly restrain the Nine Swords of Punishment.
This may be intentional by the creator.
The concept of Non-Aggression Swordsmanship is something Shimizu has never seen before. It is simple but exquisite, containing the principle of simplicity, but it can also be combined with each other to produce various wonderful combinations.
In theory, the Seven Swords of Non-Aggression alone can evolve (7)! variations.
That is 7 × 6 × 5 × 4 × 3 × 2 × 1, which equals 5040.
Although it will definitely not be that complicated in actual application, in actual combat, it will definitely be adapted to local conditions and changed according to the situation.
But if you can use the Seven Swords of Non-Aggression well, in theory, you can almost defend against all moves.
Adding the Nine Swords of Punishment, the combination of the two sets of swordsmanship is even more so. In theory, it can almost crack all moves.
This is a swordsmanship that points directly to the essence of swordsmanship, and even transcends swordsmanship.
"The Mo Sect... is actually so awesome?"
Shimizu admitted that he had a real eye-opener today.
The Mo Sect has been active in the world for more than two thousand years. Although the world mostly regards them as craftsmen, they have never lost their chivalrous spirit, and many heroes and knights have emerged. They will definitely not be weak in terms of martial arts.
It's just that the world is now peaceful, and the Mo Sect disciples have devoted themselves to fields that can bring greater help to society, and they are also more skilled in them.
The word "chivalry" has long been bound together with Mo, creating the word "Mo chivalry".
Mozi himself is actually the ancestor of those knights in later generations.
The spirit of knights who have a love for their country and family, uphold justice in the world, suppress the strong and help the weak, and value promises more than life, originates from the earliest righteous knight who wore straw sandals and cloth clothes, walked with a sword for ten days and ten nights, and abandoned life and death in order to stop the war.
The source of Non-Aggression and Punishment is very likely to be Mo Di.
Shimizu has no evidence, but he can feel a lot of things from the Non-Aggression Swordsmanship.
As a person with some achievements in swordsmanship, Shimizu can feel the magnificent and tenacious, fearless and broad artistic conception from it.
Perhaps only this kind of person, who has been around for five thousand years and is the first-class romantic figure, can create such a swordsmanship that points directly to the great road and combines simplicity and complexity.
If he were in the Ninja world, Shimizu would dare to say that he is a first-class swordsmanship master, but in front of the Non-Aggression Swordsmanship, he knows that he is far behind.
It was also after reading the Non-Aggression Swordsmanship that Shimizu truly glimpsed the threshold of a higher level of swordsmanship from swordsmanship and sword potential.
That belongs to the category of intent.
On the contrary, Shimizu did not have as deep an understanding when he read the Mo Family's Qi Refining Technique as when he read the Non-Aggression Swordsmanship.
After all, for him, this is a brand new field.
He is just a beginner.
The Mo Family's Qi Refining Technique has a total of four levels. The entry-level stage is called Non-Fate, and the subsequent stages are called Minggui, Tianzhi, and Shangtong.
These realms are all named after Mozi's articles and ideas.
It is generally believed that reaching Tianzhi is already considered a great achievement. As for Shangtong, in two thousand years, only a few people besides Mozi have been able to reach it.
Without exception, these people have become the best in the alien world in their era.
As for the remaining last Mo Sect Divine Mechanism, the avatar of the DC world has already researched some tricks.
DC World, Gotham, Vought Tower, underground laboratory.
"Transformation of objects, control of objects..."
Shimizu rubbed a thin steel needle with his fingers, feeling the chakra integrated into it.
The Divine Mechanism technique of One Person World, through the common sense about the alien world sent by Meng Xuan, plus the content in the Mo Sect Divine Mechanism, Shimizu also has a relatively complete concept of it.
The Divine Mechanism technique is similar to the puppet technique to a certain extent, but there are more differences.
Although they are both means of controlling objects, the puppet technique uses chakra threads to temporarily control and strengthen them, and they are basically based on puppets and mechanisms.
The Divine Mechanism technique is not only limited to this range.
They are also very good at mechanisms and puppets, but they are better at creating various magical instruments with magical functions.
The puppet technique only has the means of controlling objects, but not the method of transforming objects.
The so-called transformation of objects is that the alchemists of One Person World use secret methods to integrate Qi into various materials and objects, use Qi to slowly strengthen these things, strengthen the materials, give them the characteristics of Qi, and finally melt and cast them into magical instruments, so that the magical instruments have various supernatural powers.
The strength of a magical artifact depends on the cultivation level of the artificer, as well as subsequent nurturing. Even after becoming a magical artifact, secret methods can still be used to continuously integrate Qi into it, enhancing the artifact's strength.
The Puppet Technique of the Naruto world emphasizes manipulating objects. Only high-level puppeteers can unleash the power of a high-grade puppet, focusing on individual operation.
The Divine Mechanism Art, on the other hand, emphasizes transforming objects, making magical artifacts powerful.
In the hands of artificers with powerful object manipulation skills, magical artifacts can unleash greater power. However, in the hands of ordinary individuals with abilities, as long as they know how to use them, most magical artifacts can be used normally.
There are also those who emphasize both transformation and manipulation, such as the Immortal Slaying Flying Dagger Technique of Jiajia Village in Shaanxi. They refine weapons from childhood using secret methods, achieving a connection of mind and weapon, and are known as Sword Immortals.
The pinnacle of Divine Mechanism Art is the Divine Mechanism Hundred Refinements among the Eight Wonders. Compared to conventional artificers who cannot produce many magical artifacts in their lifetime, they create magical artifacts extremely quickly, even completing the initial transformation and manipulation in just three to five seconds during battle.
The Mo Sect's Divine Mechanism is not as miraculous as the Divine Mechanism Hundred Refinements, but it is still at the top level of conventional artificing. In the world of individuals with abilities, it is ranked alongside the Martial Marquis Divine Mechanism and the Heavenly Craftsman Divine Mechanism, and is known as the Three Great Divine Mechanisms.
Because transforming objects takes a long time, the magical artifacts crafted by artificers are generally not large in size.
No mistake, one head, one hair, one inside, one appearance, one existence, one look!
According to the methods in the Mo Sect's Divine Mechanism, completing the refinement of a one-kilogram material takes several months at the very least, and up to a year or so. Completing the creation of a magical artifact generally takes between one and two years.
Although it cannot produce in large quantities like the Divine Mechanism Hundred Refinements, it is still several times faster than other artificers.
It's just that it's still too slow.
"The nature of Chakra and Qi are quite similar. The Mo Sect's Divine Mechanism can also be used, and the efficiency of transforming objects is not bad, but it's still too slow."
Shimizu stretched out his hand and cut his palm, dripping blood onto the steel needle to speed up the transformation of the object.
This is the Blood Refinement Method recorded in the Mo Sect's Divine Mechanism, using blood full of Qi to accelerate the impregnation of the object.
When the Qi in the blood is used up, it has to be replaced. The purer the blood, the richer the Qi, and the better the effect. If it is the purest blood from the heart, the effect is the best.
If this method is used too much, it will be very harmful to the body. If it is only moderate, it is not a big problem.
And some more bloody methods even involve capturing other individuals with abilities for blood sacrifices.
It's just that the secret methods for sacrificing living people have been lost. Even if they exist, no one dares to use them, because various sects and factions do not allow such evil arts to exist. However, in times of chaos, they will definitely be re-developed.
"With Medical Ninjutsu, I don't lack blood. Even for the main body with a perfect Demonic Transformation Body, there's as much blood and Chakra as needed. But even so, the speed is still a bit slow."
Shimizu shook his head and flicked a Chakra thread to connect to the silver needle.
The silver needle has undergone a wave of strengthening, and its strength and Chakra conductivity have been slightly improved. Moreover, it also has the ability to store a small amount of Chakra.
When people in the ninja world use ninja tools, they inject Chakra into them to temporarily increase their power. Unless they can store Chakra like the body, or even like Hashirama Senju, who can continue to store Chakra even after death, can the strength be constantly improved.
Qi is actually the same. However, after an object undergoes transformation, it can store Qi for a long time. Unless the magical artifact is not used or nurtured for too long, the Qi in it will slowly be lost, and it will be reduced to an ordinary item.
Is there a way to store these energies for a long time?
Shimizu's eyes flickered slightly, and his left hand formed a hand seal and pressed it on the silver needle.
"Ninjutsu · Finger Engraving Sealing."
Complex patterns, according to Shimizu's wishes, remained on the silver needle, and also sealed a part of Shimizu's Chakra in the silver needle.
"In this way, using the Mo Sect's Divine Mechanism's transformation and manipulation methods, through the Chakra remaining in the silver needle resonating with one's own Chakra, it can be driven and manipulated by thought, just like a magical artifact, then it can be…"
Shimizu twirled the silver needle, flicked his fingertip, and nailed the silver needle to the wall.
Then it was blocked by this wall with extremely high security protection level, made entirely of high-strength metal, and fell to the ground with a clanging sound, leaving only a tiny white dot.
"Sir, a small-scale, low-power attack has been detected internally, suspected to be from a small-caliber firearm. Do you want to activate the defense system?"
Witt O'S electronic voice sounded from the hanging speaker.
"No need."
Shimizu said speechlessly.
Then he beckoned with his right hand, without using a Chakra thread, and the silver needle swayed slowly, floating to Shimizu's eyes at a speed like a turtle walking.
Well, the tip of this needle is bent ninety degrees.
However, my approach is indeed effective. Sealing techniques can indeed complement and cooperate with the Mo Sect's Divine Mechanism. This needle can indeed be regarded as a magical artifact.
Even if it is the crudest and most primitive magical artifact, if I hadn't used the technique of throwing hidden weapons just now, temporarily attaching an extra layer of Chakra, this needle would not have had the power close to a small-caliber pistol bullet.
What truly belongs to its ability is the turtle-like speed when it flies back. In actual operation, it can only be regarded as an ordinary hidden weapon, slightly increasing the flight speed, and making it convenient for post-war recovery.
Moreover, the strength is not high.
"Although silver is a metal with high energy conductivity, its texture is still too soft. It seems that I still have to make trade-offs, find or invent some materials with qualified strength and conductivity for artificing. Also, the Mo Sect's Divine Mechanism, I will have to spend more effort to cultivate in the future, there is one more thing to do."
Shimizu casually put the silver needle back on the table and thought with his chin in his hand.
Regarding the cultivation of the ninja system, he has mostly reached the end of ordinary ninjas. Not to mention the breathing technique.
In terms of ninjutsu, without the Ōtsutsuki bloodline, relying solely on Particle Style and his own Chakra manipulation ability and nature transformation, the power has reached the limit approached by ordinary ninjas. It can only be said to continue to maintain it, and it is difficult to make new breakthroughs.
The only things that can still be improved are Puppet Technique and Wind Release.
He is now close to the top level in Puppet Technique, and there is still a little room for improvement. However, if he can integrate the Divine Mechanism Art and Sealing Technique, and combine them with Puppet Technique, he can greatly raise the upper limit.
As for Wind Release, that is because he has the ability to manipulate airflow, which can break through the upper limit of Wind Release ninjutsu.
But only this clone and the main body have the ability to manipulate airflow.
And the most suitable method he can think of is to learn from the Hidden Cloud Village and develop a Chakra Mode corresponding to the attribute.
