Chapter 405: I am indeed too serious.
"it is good."
clap clap clap!
The professors applauded.
This is not polite.
Because Li Jinglin doesn't just talk.
He is really practicing.
In fact, Li Jinglin's musical works may have a stronger impact on the art circle and the old professors in the music academic circle than on young people.
Among them, the most intense one is the game music that Li Jinglin took over before.
"The Ring of Elden"!
This game has indeed not been released, and even a lot of the music content has not yet been completely finalized.
However, the two "unknown" orchestral symphonies revealed in the promotional video gave these professors quite a shock.
Yes.
That's just a game.
For the professors here who have been deeply involved in serious music and classical music, games are indeed too far away from them.
But games are one of the best and lowest-cost ways for young people to understand the world.
between the two.
There will inevitably be differences in cognition.
But the old professors may not understand games, but they understand music!
The old professors didn't know who Valkyrie Marlenia was, let alone how the game was played.
But from the music of "Michaela's Blade", I heard the confrontation between death and life. After sublimation, the sacred feeling of the medieval church with a very classical atmosphere came to my face, and the strings quickly ran to play the intertwined complex emotions. .
The old professor didn't know what the Junction was, what the King of Elden was, who Radagon was, or what the Beast of Elden was.
I don’t even know what this game is about.
However, from "The Final Battle", I still heard a magnificent movement with an epic temperament. From the notes, I saw a person's journey to become king after suffering, and even saw the spirit of God moving on the water. Countless souls watched and heard the witch's prayer.
I don’t understand games, but I understand music.
The abstract language of music can convey much more than one might imagine.
Old professors can see what a brilliant stage serious music has in the new era.
Therefore, under Li Jinglin's slightly risky decision.
All professors want to believe it.
You can even feel a heartfelt touch because of your own belief and longing for the future.
This touching change seems to be like returning to a boy, and it is as if he has seen the boy who was just like him, and now he has stood up and started to interpret "authority".
There is also a kind of ease that can be "entrusted" and relieved of the burden.
It is a feeling of embracing the future.
Professor Zhang Yi’s eyes were slightly moist.
At this moment, the way I feel is perhaps how my teacher viewed me back then.
This is a feeling that times are changing.
Just like Li Jinglin at this time, just like himself before.
The teacher at that time looked at him, perhaps remembering the time when he was young and full of energy.
The alternation of old and new.
The old aeronautics have made lifelong contributions to the development of the aerospace industry and are heroes of mankind. However, as times change and the old and the new change, Zhang Beihai still shoots them dead and holds a space funeral for these respectable old aeronautics. And use his youth to create a new era full of variables.
The "old die-hards" were once young up-and-comers, and the young up-and-comers may become "old die-hards" after they stabilize.
If they fight with each other and cause internal friction, it will inevitably affect the development of the industry.
What we really need to do is to believe in the younger generations, believe in the youth, and believe in the future.
And then pass on the hope from generation to generation.
When he was over 60 years old, Professor Zhang Yi finally understood what kind of emotion his teacher looked at him when he was dying.
"Professor Li is right. Times are changing rapidly, but the spirit remains unchanged. What we want to pursue is the spirit, not the so-called spiritual carrier. Formalism is obviously not advisable."
Dean Liao nodded and concluded.
"But change does not mean turbulence. Be brave to try and make mistakes. More importantly, you must actively accept and summarize, so that you can see more clearly."
"Then the meeting ends here."
Everyone stood up and packed their things.
While packing up, Liao Changyong looked at Li Jinglin.
He spoke with some teasing.
"Professor Li, I should call you Director Li now."
"Director Li, come back and issue a specific report to me."
"Okay old Liao, no, my dear Dean Liao."
Li Jinglin curled his lips and rolled his eyes.
Forget it if we are still in the meeting. The meeting is over, why don't you just say "Director Li" to me.
"Hahaha!"
The professors laughed.
After all, the meeting is over, so there is no need to be so serious.
"Director Li, it seems that you have already thought about your doctoral topic and performance content?"
"Of course I've thought about it."
Li Jinglin raised his eyebrows.
I was not talking nice words in the meeting just now, nor was I being arrogant.
But it really needs to be implemented academically. Yes, the topics have been thought out.
"On the cultural influence and aesthetic expression of serious music in games and entertainment"
What is this called?
This is called cyber-retro, both retro and futuristic.
And this seemingly playful subject
The professors didn't feel anything was wrong.
The selection of a topic never depends on whether the topic is wild or not, but whether it has research value, whether it can have some positive impact on the industry, and whether it has academic value.
In fact, the subject matter in academia is very wild.
Any outrageous topic may arise, but unfortunately, researchers on all topics adopt a rigorous and scientific attitude and seriously study topics that may seem like a joke.
For example, the famous physicist Feynman once worked out a strange topic called "Pinch the two ends and break the spaghetti, why will it never break into two pieces?"
There is quite a contrasting cuteness that belongs to a scholar.
Seemingly useless?
But in fact, everything is useful, and you never know when it will be used in the right way.
The reason why the spaghetti doesn't break into just two pieces is because of the rebound effect and bending waves, which cause more breaks to occur.
After understanding this principle, scientists discovered that if they use twisting to release energy, they can break spaghetti into two pieces.
Some people may think this is boring and a waste of food.
But as everyone knows, this kind of outrageous research can actually think about how to change materials, how to use some movement, or release energy to enhance the elasticity and toughness of materials.
You might as well use it on a spaceship one day.
Compared to those alternative studies.
Li Jinglin always feels that his "On the cultural influence and aesthetic expression of serious music in game entertainment and other aspects", as well as the extended content "How to use music to make games more immersive", "The performance of music in canned games, and How music releases the same boring boredom of canned games.
As expected, I am still a little too serious.
After the meeting, Li Jinglin returned to his residence and began to write a series of plans and reports.
Change is definitely necessary, but it does not mean a complete change.
Some basic training and training still need to be considered.
Xu Xin and Liu Chenyang are not ordinary graduate students. The two people currently have strong adaptability, ability, and knowledge. They can fully cope with many emergencies. What Li Jinglin needs to consider is overall training, not just for geniuses.
In terms of basic training, there are actually no huge changes.
Most of the changes were in ideas and artistic concepts.
As Li Jinglin said.
Times are progressing, but the spirit is inherited.
The red entertainment works of that year were "Shangganling" and "Railway Guerrillas".
Why can't the modern red entertainment work be "That Rabbit"?
Even a foreign game, "Fallout 4," portrayed an unforgettable image of Captain Zhao that made countless Chinese people cry, and conveyed a romance unique to the Chinese.
Li Jinglin does not want the carriers that describe the Chinese spirit in the future to be all imported.
You cannot change this on your own.
Single-handedly work across industries to change the status quo. Even fairy tales would not dare to make up such a story.
What we can really do is to convey such a concept, influence more people, lead more young people, and then gather the efforts of everyone to truly retain the spirit but adapt to the times.
After finishing writing the report, Li Jinglin stretched, stood up and moved around.
I looked at the time and saw it was quite early.
Then I turned on my computer and started to perfect the soundtrack for "The Wandering Earth 2".
The soundtrack of the space elevator has determined the music passages and changing rules according to the changes in the shots.
Everything is arranged perfectly.
After a final comparison, the music was finally finalized.
After the mixing and shrinking was completed, Li Jinglin sent the file to Director Guo.
Director Guo happened to be in the editing room at this time.
When I saw the document sent by Li Jinglin, I was immediately overjoyed.
During the day, Director Guo and another screenwriter were struggling with this clip.
This clip is just too long.
Long shots, long shots that still require CG, are really too expensive.
Director Guo has the confidence to make this scene very explosive.
But what is the specific effect?
Director Guo was naturally unsure.
I even felt a little uneasy.
I was afraid that the long shot I had spent so much money on would not achieve the effect I expected.
The reason why I can express myself fully in the language of the camera is that I believe Li Jinglin's strength is also an important factor.
Immediately, Director Guo started to look at it seriously.
The file sent by Li Jinglin has already been adjusted to the audio timeline based on the footage.
When the music starts, the camera doesn't actually cut in.
Director Guo is very curious as to when this 55-second long shot will start.
But the foreshadowing passages given in the music are far more obvious than imagined.
After seven steady long tones in a row outline a state of readiness, the 55-second long shot officially cuts in.
"Fuck!"
When I originally watched it, it didn't have such a strong impact.
But after adding music, Director Guo only felt a buzz in his mind.
"Fuck!"
(End of this chapter)
