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Chapter 511: Is guzheng a percussion instrument?

Chapter 513 Is guzheng a percussion instrument?

The professors smiled.

Don't tell me.

Because of Ah San, this world has joy.

Think about the historical records of Wang Xuance's battles.

Ah San dispatched the Elephant Corps! So powerful!

Okay, our eldest brother Wang Xuance has found a herd of cows. What is he going to do? ! Oh My God! He actually lit the cow's tail on fire!

The cow charged. Oh my god, with Wang Xuance's evil smile on his face, the cow fell into the elephant corps and actually disturbed the elephant. The elephant stepped on the cow, the cow stepped on the Tianzhu soldiers, and the elephant also stepped on the Tianzhu soldiers. Damn it. It's chaos, they keep stepping on it! They're still stepping on it!

Okay, then it was bulldozed, giving Tianzhu a small shock to the Tang Dynasty.

I can't hold it tight at all.

"Actually, there is more than just this cultural integration that can be seen here."

Luo Shiyao, who had been listening, suddenly spoke.

"There are many Persian elements in border dance, and the male dancers have some shoulder shaking movements or some postures. In terms of international dance, this kind of texture is somewhat similar to the Cossack dance that Big Brother Maozi loved to dance back then. , there will be some traces of mutual influence.”

"It should not only have the [exotic customs] that everyone often talks about, but also add some ancient charm from the Western Regions in the Han and Tang Dynasties?"

Pure music, on the other hand, can give a more general description of the territory from a macro perspective, and the overall situation will be more atmospheric.

They will say that it is a bit similar to Asan Music.

"Is there any difference? There is no difference!"

Li Jinglin was stunned.

So, if the domestic audience hears a similar style of regional music, their first reaction will not be "exotic", but "this is my Chinese national music".

Creation requires certain ideas and various attempts.

Everyone stopped talking immediately.

【exotic】.

"Then what are you thinking about? Hurry up, you've gone all this way and you haven't had any feelings yet, so it's really wasted."

Professor Liu smiled and talked about the key issues seriously.

After hearing Professor Chen's urging, Li Jinglin rolled his eyes.

Urgent, urging.

Li Jinglin was thinking.

Luo Shiyao also smiled and patted Li Jinglin on the shoulder.

After all, not everyone can catch up with Li Jinglin's hottest new works.

After listening to Luo Shiyao's words.

This Professor Chen is just urging me.

"However, if the violin is chosen as the instrument in the solo repertoire, will it be easy to lose the Chinese style?"

After listening to Luo Shiyao's words.

"The Cossack dance originated from the nomadic people in Eastern Europe and northern Central Asia."

Nowadays, when music from some fields is played outside, many Chinese audiences will always feel it subconsciously.

Li Jinglin nodded thoughtfully.

"Professor Chen, please stop talking nonsense. You are also a musician, so don't deceive others."

"Eh?!"

But he never expected that Li Jinglin was stunned.

Urgent, urgent.

Li Jinglin's words immediately attracted Professor Chen's interest.

This is not the fault of the audience, but the fault of the works and creations in this regard.

"Don't say it. When you said that, I suddenly felt that I had some ideas."

The solo piece can better express the loneliness and desolation of the Western Gobi that I felt along the way. Moreover, because it is a solo piece, it can show the artistic style more delicately from a micro perspective.

"It really is."

"Actually, I have always felt that if you want to express the music of the Western Regions, Qiuci music or Gaochang music are relatively good choices. In terms of the choice of musical instruments, I also prefer the instruments here, or some less popular instruments, such as .皚篥?”

He looked over with a curious look on his face.

"What? Do you have an idea for a work?"

"However, now I suddenly feel that it would be better to use an instrument like the flute, which is more familiar to Chinese people, to express a strong territorial style."

"Yes, as an adult, you have to learn to choose [I want both]."

"Ah, that's what I thought."

"So, the culture and art of the territory is a very integrated culture and art. It is not only a part of the diversified integration of Chinese culture and art, but it itself is also diverse."

"I haven't decided yet whether solo music or pure music is better."

"Can't you just do it all?"

"?"

"Eh? I really didn't think about the violin?!"

"Ah? When you composers compose solos, don't you think of the instrument you are best at first?"

Professor Liu was also stunned.

Professor Liu has always felt that for solo repertoire that musicians are good at, shouldn’t they choose the instrument they are most familiar with?

Why does this feel different?

"No? Shouldn't you think of some instruments that are most suitable for expressing the content?"

Li Jinglin and Professor Liu stared at each other.

Immediately, they all scratched their heads and subconsciously looked at the only other person with a music background, Professor Chen.

"What are you looking at me for? I don't know, Li Jinglin is an accident, and it is an accident for the entire music industry."

Feeling the gazes of the two people, Professor Chen immediately rolled his eyes.

"How can I know? We don't dare to guess what Brother Lin is thinking. If I could know what he was thinking, I would have been as fierce as him."

"Hahahaha!"

Explosions of laughter broke out.

Li Jinglin couldn't help but smile and patted the old guy on the back.

After smiling, his eyes brightened slightly.

"Don't say it, after saying this, I suddenly had a new idea."

Professor Ma couldn't hold himself any longer.

Hearing what Li Jinglin said, he blurted out immediately.

"Le, you have new ideas every day."

"Stop talking, wait." Li Jinglin snorted, which immediately aroused bursts of laughter.

Time passes slowly.

After the visit, the group returned to the county town from the ruins.

After settling down, Li Jinglin's creation began.

Needless to say, chatting with several professors really made Li Jinglin make up his mind.

What's the use of making a song.

To do it, then the entire portfolio.

Just call it "Li Jinglin Travels in the Territory." Forget it, this name is too ugly, we will talk about it later.

It would be quite good to put together a series.

Moreover, if there are enough tracks, it can really have a certain meaning in terms of cultural influence.

For example, what is the texture of court music like starting from Chang'an? What is the fusion of music of the Dunhuang generation after arriving in the Hexi Corridor? What is the style of the Western Regions like after leaving the Hexi Corridor?

You can feel this integration and change from the slow progression of music styles.

And these, in modern times, now.

They are all Chinese music, and they all belong to the context of China’s diverse and integrated culture.

Well worth some promotion.

prior to.

Through the promotion and popularization of music culture in southern Yunnan and some music culture in Northeast China through the Internet.

The stereotype of "Chinese style" has gradually faded away.

When mentioning Chinese style, many netizens’ impressions are not limited to “pentatonic scale”, “pipa, erhu, flute” and the like.

The seeds of diversity and unity are gradually entering the audience’s awareness.

As creators from all over the world continue to explore the culture and music styles of their hometowns, more and more different folk musics are entering the public eye.

Don't say it.

Nowadays, it is really the best environment to make the audience's understanding of territorial music more three-dimensional.

The foreshadowing was done very well.

It just makes sense now.

And in the territorial music style, that cumin flavor.

In fact, it is its unique scale.

A scale system deeply influenced by Persian music.

b7, #1, #2, #4, #5.

Intangible cultural heritage can be applied for jointly, and can also have the same name.

Therefore, China originally applied for the world's intangible cultural heritage, Kamum, which is very famous in border music.

I applied together, both from Kamum Music, and fellow YLK brothers.

Although it has the same name, it retains different featured tracks. The other's is more local, while the territory Kamum has its own slightly different characteristics, so it is regarded as two independent intangible cultural heritages with the same name.

As for the blood relationship and development relationship between each other's music and instruments

If you really want to study it, that sentence can describe it.

[One musical instrument is equal to half of the history of the Eurasian continent. 】

This cumin flavor is outside the scale.

If you add some microtones and a lot of portamento.

It will become more curry-y.

That is, Ah San music or ZD music that many people feel very similar to.

Portamento is also very common in border music, but it is usually very delicate and not as sticky as Ah San's sloppy crotch-diaper sound.

Such different processing characteristics are also one of the very important differences between them.

of course.

At the same time, very elastic jumping rhythms and rhythms are also required.

He is good at singing and dancing.

Frontier music is very rhythmic and textured, and will always make you shake your shoulders and shake your head along with it.

And the musical instrument chosen by Li Jinglin.

It's not a violin, let alone an instrument that can be related to border music.

On the contrary, it is an instrument that most people cannot imagine at all.

"Zheng"

Yes, it’s the guzheng.

Guzheng is currently the most accepted term in academic circles.

It originated from Da Qin.

Nowadays, among the guzheng schools, the most noteworthy one is Qin Zheng of the Shaanxi generation.

What about other genres?

Hakka Zheng and Chaozhou Zheng can be found both inside and outside the river, in the north and south, with different styles.

However, take the guzheng and do Western music.

This is really rare.

I even always feel that this style is a bit mismatched.

But from Li Jinglin’s personal perspective.

This is purely a matter of imagination.

Many people think of the guzheng, that is, sitting very dignified, and then playing it smoothly.

Maybe it's like the gentle water flow of Nanfang Zheng Pai, the gentleness of Xiaojiabiyu, or the murderous aura and roughness of Qin Zheng?

But everyone knows that this thing can be played happily just like the music of the territory.

When it comes to creation, don’t be afraid of failure and be bold.

then.

Some novel attempts with a touch of "collapse of etiquette and ruin of music" began to appear on the music charts.

That mark even made Professor Chen, who read the music score, feel that his eyes were dazzled.

"You use the guzheng as a percussion instrument?"

"Huh? No?"

(End of this chapter)

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