When Li Changsheng finishes singing "Broad Sea and Sky", the judges and audience will be amazed by the song!
This time, he was not eliminated and made it to the quarterfinals!
Became one of the Four Heavenly Kings!
It was said before that he is the most original of the four heavenly kings, and he is also the most popular now.
And one more thing, he is the most handsome and charming!
It is equivalent to combining the advantages of each of the four heavenly kings born in the 90s into "970"!
Of course, this does not mean that he can turn all the other three into his foils!
Zhang Guorong and Tan Zhonglin were able to form Zhang Tan's struggle for hegemony in the original time and space, which also shows that the two of them are very powerful in both singing and personal charm.
The 1980s was not only the era of Cantonese pop songs, but also the heyday of the Hong Kong music scene.
At that time, even though compatriots from mainland China and Taiwan did not know Cantonese, they could still listen to Cantonese pop songs and even sing along.
Throughout the 1980s, some radiant superstars supported the entire Xiangjiang music scene, especially the competition between Tan Yonglin and Zhang Guorong was the most intense and prominent. The fans of the two factions often had wars of saliva, quarreling, cursing, and even physical conflicts. So much so that it reached white-hot [it is really seen in the world. The two showed extraordinary idol charm in the competition.
Tan Yonglin and Zhang Guorong have always been interpreted as opposites by people, but in another sense, "Tan Zhang Zhengba" also pushed the Xiangjiang Liuxing music scene to the peak.
Tan Zhang's struggle for hegemony ended with Tan Yonglin announcing in 1987 that he would no longer receive competitive awards and Zhang Guorong officially announcing his withdrawal from the music scene in 1989.
In 1995, Zhang Guorong, who shined in the film world, came back to the music scene. In 1999, Tan Yonglin and Zhang Guorong sang the song "Phantom + Fog Love" for the first time.
There are many emotions, all in the singing. Tan Zhang's struggle for hegemony made the Xiangjiang Liuxing music scene in the late 1980s brilliant, but the ending was embarrassing.
Often the most brilliant time is also the loneliest, and the most prosperous time is also the most desolate. As time goes by, they are connected with an era.
The essence of Tan Zhang's struggle for hegemony is an open and secret struggle in the record industry, and it is the epitome of the fierce competition in the Hong Kong music scene in the 1980s.
Tan Zhang's splendid competition brought the Xiangjiang Liuxing music scene into a heyday and glorious period, and left an indelible mark in the history of Chinese pop music...
It seems that Chen Baiqiang's sense of presence is slightly weaker.
Although Chen Baiqiang is 2 years younger than Zhang Guorong and 8 years younger than Tan Yonglin, he made his debut very early and began to release albums in 1979. He is also a handsome and sunny image. He was a famous idol in the Hong Kong entertainment circle , of course, his strength is also good, not only his singing skills, but also his creative ability and acting skills are also at the top level of Xiangjiang. It can be said that before 1985, Chen Baiqiang and Tan Yonglin were basically the most popular, and after 1985, Zhang Guorong gradually replaced Chen Baiqiang , Chen Baiqiang chose to fade out of the music scene because of his relatively low-key personality.
In fact, in , Chen Baiqiang is not inferior to the two of them. Judging from his own conditions, Chen Baiqiang's appearance, creativity and singing skills are not inferior to Zhang Guorong. Therefore, Zhang Guorong's popularity continued to increase, but Chen Baiqiang was still relatively restrained after all, and his style was relatively simple, so he did not continue to make a breakthrough. .
