Another thing about Isabel Adjani who is always complained about by others is that she likes to play big names.
It is also possible that her way of thinking is different from others, so she mistakenly thinks that she is playing big names.
But you have to think about what kind of coffee she is.
She was able to win the Caesar Award, the highest French film award four times, the Cannes Best Actress and the Berlin Best Best Actress, and was nominated for an Oscar twice.
It is equivalent to our heroine who won the Golden Rooster, Golden Horse, and Golden Image four times, and won the Cannes and Berlin Best Actresses, and was nominated for two Oscars.
Gong Li and Zhang Ziyi, the hall-level actors of our women, are not as good as Yisha Bell and Adjani.
It may be because Isabel Adjani became famous relatively early, and her acting career has spanned nearly 40 years.
So what if a big guy like this plays a big game?
What's more, her playing tricks is likely to be misunderstood, not really playing tricks.
After becoming famous, Adjani is also a rebel. This talented and beautiful woman has a temper as strong as her reputation.
In 1983, a few days after the filming of "Famous Carmen", Adjani withdrew from the crew.
In the fall of that year, Adjani participated in "Miss Julie" at the Edward VII Theater. A few days after the play was staged, Adjani withdrew from the play because she was "too tired".
In 2000, when performing the stage play "La Traviata", she even intervened in the adaptation of the script and quarreled with the director several times, successfully leaving the first director in anger.
She also thinks that the costumes are too heavy and needs a costume designer to change them. She can't bear to put her name on a light box and hang them outside the theater, and she refuses an interview because she doesn't like a certain host.
In 1997, when Adjani served as the chairman of the jury of the Cannes Film Festival, she remained in the long list of cases criticized in the history of Cannes, such as occupying the box reserved for the mayor of Shaner and requiring all jury members to Members get up early in the morning to have breakfast with her, and ask others to eat the same food as her, etc.
In 1983, the film "The Murder Xia Tian" starring Adjani was shortlisted for the main competition in Cannes. On the opening red carpet, she covered her face with a handbag and refused to let reporters take pictures, which angered the veterans.
This lack of emotional intelligence aroused the grievances of the reporters present. When the film conference was held, they put the cameras in a circle on the ground and stood with Adjani behind their backs to express their protest.
Later, when someone asked Adjani's original intention, she said that she just wanted everyone to focus on the work itself instead of her.
0………seeking flowers…………
After experiencing love, betrayal, and pregnancy, even if the beauty is twilight, she is still the eternal French rose.
Compared with Sophie Marceau and Juliette Binoche, Isabel Adjani seems less likable.
This is mainly due to the fact that most of the characters she portrays are women with weird personalities, but this cannot conceal her dazzling light in the slightest.
In addition, she herself is very strict in selecting films, has very high requirements for roles, and has very little cooperation with Hollywood. Her classic screens come from relatively niche literary films, not commercial films.
Therefore, Adjani, who is not well educated, has always been able to pick scripts and is too good at acting, so although her output is not high, she has hardly acted in a bad movie.
Although she has seldom acted, Adjani's otherworldly beauty is heart-warming, and the image she portrays in the hearts of the audience is becoming clearer and clearer in everyone's memory.
Although she has stumbled and stumbled along the way, Adjani will never let herself be the victim of that love, a tragic figure.
The real Adjani is more complicated than the complex woman she plays in the movie, she has a more tenacious vitality, she is celibate, but not alone. .
