In this time and space, Zhang Aijia was sent by Li Changsheng to develop in Taiwan.
Because Li Changsheng himself still had some concerns about Treasure Island, he didn't want to go there in person, for fear that there would be a scene beyond his control.
So he will use some Baodao people to run the art market there.
Because after all, the overall population of Baodao is much larger than that of Xiangjiang, its overall economy is still relatively developed, and the number of moviegoers is still large.
Therefore, if many movies cannot be sold in Xiangjiang, you can still go to Baodao.
Most of the time when the box office is counted, the box office on Jiang's side is often counted.
727 But once the show on Treasure Island becomes popular, it will still make a lot of money.
"Tang Bohu Spots Autumn Fragrance" received million Hong Kong dollars in Xiangjiang in 1993, easily won the annual championship, ranked seventh in history, and the previous movies were also dominated by the star himself.
The film is also a super hit in Taiwan. It sold 50 million in Taipei alone, and the whole Taiwan received at least NT$100 million. Master Xing's ability to carry the box office is too stable!
In many cases, actors are paid very high salaries, such as Hu Guanjie's salary of 2 million yuan.
Huang Baiming paid Zhou Xingchi 7 million for his participation in "(agch) Happy Family".
If it is divided according to the movies in Xiangjiang, it seems that there is not much money to be made.
At this time, if it sells well in Taiwan and Southeast Asia, the whole movie can still make a lot of money.
Because the number of movie viewers on Baodao is many times higher than that on Xiangjiang, it is a market that cannot be given up now.
Li Changsheng asked Zhang Aijia to go to the water.
She discovered Yang Dechang who came back from the United States, and used the resources of New Arts City to cooperate with Jinbao Island's Central Film Company to produce the tenth feature film "Ten Husbands on the Beach" for him.
The 36-year-old Yang Dechang has been clamoring for a long time, and wants to make a movie about "there is a woman blowing the wind on the beach, and she doesn't know where her husband is".
This film is not only his debut, but also known as the starting point of new films in Baodao.
His shots are extraordinary, and he is full of ambitions from the way of narration to the language of the lens.
The length of 167 minutes is rich in content, and the timeline shuttles back and forth slowly, with flashbacks, interludes, and interludes within flashbacks.
Yang Dechang is a computer engineer. When discussing the script, he even drew a complicated flow chart on the whiteboard.
Time and space are intertwined in the memory, unfolding a city group portrait of a social transition period, which also alludes to the history of Baodao from strongman politics to democratic era.
The film tried to discuss the loss of the middle class when the economy took off, but failed to solve the problem,
Instead, the open ending is thought-provoking, and it has a good warning and reflection effect on the similar social conditions in mainland China a few years later.
Thirty-year-old Zhang Aijia has fully released her acting skills, from the youthful ignorance of the yellow-haired girl on campus, to the fighter who ran away from home for love, to the resentment of a wife after the passion is exhausted, to the tenacity to get out of adversity The back view is performed in every detail, expressing the awakening of women's self-awareness and the difficulties faced by the new era.
Hu Yinmeng, who played a friendly cameo, showed an elegant and classical temperament in the limited shots. Whether it is long hair fluttering and dancing, or a high bun with a cloud bun looking back indifferently, it is fascinating.
When she later reviewed her short acting career, she said that all the movies she starred in were dumbfounding, but "A Day at the Beach" can be called a masterpiece. .
