Zihan didn't know that he was dismissed, since he came, he wanted to say that he would take Lin Qingxia back.
He then said to Lin Qingxia: "Qingxia, you've almost eaten, why don't you go back with me?"
But at this moment, Lin Qingxia suddenly realized that the relationship between herself and Zihan should not continue at all, and she no longer had the same feelings for this man as before.
But her relationship was really changing too fast, even Lin Qingxia felt that it would be a bit abrupt if she didn't go back with Zihan directly.
Lin Qingxia glanced at Xu Jinyang, and asked: "Boss Xu, we haven't finished talking about the cooperation, right? There are still many things to talk about?"
As soon as Xu Jinyang heard it, Lin Qingxia didn't want to go back with Zihan, and she wanted to go with herself tonight.
He said to Zihan: "I'm sorry, there is a very important movie, we sincerely invite Miss Qingxia to participate in it, we haven't finished talking today, it may take another night, when will we discuss this project , when your heart will fall to the ground, you should go back first, and I will send Sister Qingxia back when the time comes!"
Zihan felt a little puzzled, and couldn't help but ask, "What kind of 180 movie is this? Do we need to talk for so long?"
He was familiar with the love movies he made before, and he didn't need to chat at all. Once he posted the script and read it a little, he could start shooting immediately.
So he didn't understand what the new martial arts movie was all about.
Xu Jinyang was too lazy to explain to him, and said lightly: "If you still have doubts, let Director Tsui Hark explain it to you.
He is an expert here, and he has studied it deeply, but he is just worried that you will not understand!"
But Zi Han always felt that there was some danger between Lin Qingxia staying and Xu Jinyang. He was not worried about Zi Xianglin now, but was very worried about Xu Jinyang, the very handsome boss of a film company who was said to have a lot of background. He turned his head to look at Xu Hark and said : "Director Xu, I'm just very curious. Is this movie so difficult to shoot [why does it take so much time to discuss it?"
Zihan doesn't understand at all that Tsui Hark, who is full of power and unconstrained style, has constructed a "world" of his own in the Chinese heroine film culture by virtue of his strong personal style.
Under the background of the times when people's thinking tended to be traditional at that time, Tsui Hark (Adaa) became the first person to open the door and go out, using sensitive subjects, exaggerated shooting techniques, and even crazy content to make people open vision. Since then, bold innovation has become synonymous with Tsui Hark.
Talking about his artistic achievements in film and television, Tsui Hark once said: "The greatest artistic achievements in my life are two. The first is to turn Lin Qingxia into a 'man', and the second is to turn Wang Zuxian into a 'ghost'." Lin Qingxia She is a representative of gentle women in the Xiangjiang film industry. When Tsui Hark was selected to star in "Swordsman", Jin Yong was so angry that she almost broke up with Tsui Hark. Lost a corner, became a generation of classics.
When casting "A Chinese Ghost Story", although Wang Zuxian's unrestrained and cheerful personality did not match Nie Xiaoqian's cold and classical temperament in "Liaozhai", Tsui Hark was able to discover her melancholy beauty little by little, thus giving birth to the most beautiful in film history Nie Xiaoqian.
In Tsui Hark's films, the plots are bold and there are countless examples of breaking the tradition, such as Xiaoqing can have an affair with her brother-in-law, Huang Feihong can fall in love with Thirteenth Aunt, Dongfang Bubai can also love Linghu Chong more than himself.. ...The reshaping of these classic characters makes Tsui Hark's films always extremely subversive, and together constitutes Tsui Hark's maverick movie arena. The temperament of not compromising with the world is deeply impressed Branded in every one of his films.
As we all know, movies are an audio-visual art that integrates sound and light. One of the major psychological expectations of audiences watching movies is to expect an "audio-visual feast" to delight the body and mind. Tsui Hark has a deep understanding of the needs of the audience, so Tsui Hark's films strive for excellence in audio-visual art, and strive for perfection in all aspects of screen composition, martial arts design, screen editing, and soundtrack episodes.
Tsui Hark is a very proud and arrogant person. What he hates the most is that others question his professionalism. At that time, he talked freely and articulated many of his ideas about the new martial arts movie.
"In the late 1970s, under the influence of Chinese and Western cultures, the pattern of martial arts films has undergone considerable changes. Traditional martial arts films have been unable to satisfy the audience, replaced by ingenious narrative structures and grand story backgrounds, which not only make martial arts films The field of vision of the film has become broader, and the conception has become more profound.
The artistic conception created by martial arts movies is to use images to enable the audience to obtain a unique aesthetic experience. Through the use of a series of audio-visual elements such as light, shadow, color, and music, the audience's emotions are revealed, and the aesthetics of "regret is not in it" is produced. feel.
On the other hand, martial arts movies are affected by complex factors, including traditional Chinese culture of Confucianism, Buddhism and Taoism, Chinese traditional aesthetics, advanced western science and technology, etc., thus forming its unique artistic conception and beauty.
Light and shadow, color, composition, sound, etc. are all indispensable elements in the creation of martial arts movies, and the use of these elements has a great influence on the creation of artistic conception..."
What Tsui Hark said made Zinhan dumbfounded at the time.
It turned out that the movies they made were really different from the Qiong Yao romance movies I was used to making before. No wonder they had such great confidence in making Lin Qingxia popular. The movies they made were qualitatively improved in all aspects.
He couldn't help but asked: "Director Xu, do you see if there is any suitable role for me, I want to play it too!"
Tsui Hark didn't have a good impression of this Han, and said indifferently: "Our boss has the final say on casting, you can ask him!"
Originally, Tsui Hark was the director, he cared about his ability to cast the cast, but since the role of Nie Xiaoqian in A Chinese Ghost Story, Xu Jinyang insisted on using Wang Zuxian, and Tsui Hark did not agree to let Wang Zuxian play it at first, but after Wang Zuxian played it, it was a hit Hong, this matter has taught Tsui Hark a very big lesson. The boss is still very good at identifying actors, so in this regard, he gave up the right to cast roles to the boss Xu Jinyang, unless the actor identified by the boss is particularly good. He is not satisfied, otherwise he will obey the boss Xu Jinyang's arrangement.
The same is true for other directors. They found that Xu Jinyang's vision in choosing actors is simply poisonous. They are very precise and in place, and there are almost no mistakes.
And this precise casting is also a key to the success of the movie.
Now Zihan turned his head and asked Xu Jinyang: "Boss Xu, can I play a role?"
Xu Jinyang said with a faint smile: "We are filming "Swordsman", and there is a very important character, Yue Buqun, I wonder if you would like it?".
